Most of our problems proceed from our inability to sit quietly in a small room.
Pascal said something like this back in the 1600s.
Heavy, eh? 🪨
Bill Knot appended this quote to his poem Peace (Pascal). Just the quote. No explanation — a nod to his inspiration. I had never heard it before, but it’s been lingering.
Poetry is often left alone for the reader to decipher. No window into the process. No illuminating cliff-notes. In my humble estimation, vagueness is part of the appeal.
*also, try to get anyone to talk you about books - let alone poetry. I dare you!
In the case of Knott, the notes section in I Am Flying Into Myself: Selected Poems 1960-2014 is as sparse as (most of) his poetry. Eight notes for two hundred seven poems.
Seeing a writer leave breadcrumbs is rare. But as someone who wears influences like a badge of honor, I appreciate the effort.
I bought I Am Flying Into Myself a few weeks back on the title alone. I don’t know what it means, but I think it’s beautiful.
For some reason, picking up a poet blind is a bit lower stakes than diving into a novel with zero context. Either way, I’m glad I took a flier on Knott.
From my half-assed internet research. He was a bit of a recluse. A thorny genius. Use your imagination. An overlooked poet, scrawling away in his small cramped Boston apartment for 50+ years. He likely had a limp handshake and a vacant stare. Sweaty palms; bad, baggy clothes.
Poetry has never been sexy. Or has it? You tell me.
Here are a few selections from I Am Flying Into Myself that I fell in love with.
Poet Thomas Lux wrote of the collection: “The best poems in this first collection … confront the reader with their directness and imagination… . They’re poems of anguish and frustration because the poet takes responsibility.”
I agree.
Now, excuse me while I proceed to sit quietly in my small room. I may even try to write some poetry of my own.
Love the scans! Gonna have a poke around the archives this weekend.